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Movie· 1998· Released

"..." Reel 4

tmdb

Reel #4 of (...) is a recapitulation of the primary variations of scratched (on black leader) shapes and additive colors (i.e. those which are composed of toned light in the step printing process) as well as the solarizations (i.e. the combination of negative and positive images of the scratches) and the negative imagery itself (with its almost phosphorescent negative coloration): these visual themes (forms, textures and tones) eventually resolve themselves into an amalgam, as it were - something that seems "new", a "breakthrough", so to speak, but is actually combos of earlier variants.

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Movie· 1998· Released

"..." Reel 5

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Reel #5 of (...) is composed of scratch-imagery edited to music by James Tenney. The music starts accompanied only by black leader: then there is a sudden flare of pure white which begins to flicker with negative-colored ephemeral shapes, until finally the music and a fulsome mass of scratched images are accompanying each other. At times a distinctly different quality of colored image appears and continues for awhile (non-orange negative photography of painted film as well as picture images).

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Movie· 1984· Released

"..In the absence of heroes..” Part IV: Warfare/A case for context

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Part of a continuing series of works investigating social manifestations filling the gaps in our lives through media/corporate and government propagated images and idea(l)s. The videotapes present contextualized concepts/fragments of personal/emotional traumatic experiences and conflict. The influence of the media on the infliction, sustainment and interpretation of these conditions is studied while attempting to understand representations directed by the media, which affect personality and interpersonal relationships.

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Movie· 1994· Released

"80,000 Operas!"

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All the operas put together (and there are a total of 80,000 in the history of opera) form one single score. They accompany the past 400 years of today's society like a mirror. The most modern operas provide the most powerful reply to the earliest ones. As if time didn't pass. With passages from Orpheus and The Coronation of Poppea (Monteverdi) and from operas by LuigiNono, Wolfgang Rihm, and Helmut Lachenmann.

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