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Two outlaws disguise themselves as priests for a robbery at a desert chapel, but their plan is disrupted when Hannah, a parishioner, comes by looking for help.

Hodiak, Brian, Derek and Teal have just been released from prison. They return to Tomahawk Gap, now a ghost town, to retrieve the money that they stole and was buried by a partner somewhere in the town. While hunting, the Indians attack, and a life and death battle ensues.

Dudley Dumpling and Gramps travel to the Old West town of Armor. They witness a bank robbery and make friends with the local kids, but does Armor need the Armor of God?

Educational film about folk songs and their origins, along with performances.

America: Outlawed is a 2007 brickfilm western by Doug Vandegrift that follows the exploits of the bandit Flatfoot and his crew.

After Jesse James is wounded by a bullet to the chest, Frank James splits the gang up and plans a rendezvous in four days time. With U.S.-Marshall Kane in hot pursuit, and betrayal within the outlaw band, the stage is set for a blazing and climactic shootout in the deserted town of 'Gila Wells'.

A big city reporter visits a Colorado ranch to write an article for his paper and is surprised to learn that real cowboys are not as glamorous as Hollywood portrays. He then experiences first hand the day to day life an authentic cowboy.

Richard Dix as Dan Taylor and Preston S. Foster as Paxton Bryce are two longtime friends seeking their fortune in Texas after the war. The two men decide, not without problems, to establish a cattle empire. Paxton becoming too ambitious, distances himself from Dan and Abby, Paxton's wife. It will only be after a personal tragedy that he will come back to his senses.

A sweeping montage of the English countryside, framed as an American western. The film explores the distortion of American idealism through the lens of western iconography: both a love letter and a critique of the country.

When the woman he loves commits herself with another, Joe, a ridiculous huaso who thinks he is a cowboy, steals from him a valued horse in which he embarks on a journey where he meets singular characters who convince him to fight again for her.

The year is 2112. The United States is a divided country recovering from the results of a second civil war. The law is broken. States have reverted back to individual territories. Yet all this is but a mere backdrop. Our story focuses on Luke, the former leader of a gang of ruthless marauders known as the American Lawless. After an epiphany, Luke decides to turn legit and betrays his men by turning them over to the authorities. But vengeance comes swiftly when the gang escapes and comes looking for Luke and his wife, Rose. Will Luke be able to save Rose from the wrath of the American Lawless? Or will she be the price he pays?

Fueled by stunning footage, this stirring documentary considers wild horses' role in the American psyche and their dwindling numbers in today's West. In an artful blend of exquisite nature documentary and character-driven narrative, the majestic wild horses of the American West are revealed in stereoscopic 3D as never before. The wonder in a girl’s eye pulls us into the drama that unfolds on hundreds of millions of acres of public land. The battle lines have long been carved into the landscape, and the players are deeply entrenched. Yet as the subtle choreography that has evolved over thousands of years begins, we are captivated. The intricate dance between a man and a wild horse presents lessons for us all, even the battle-hardened special interest groups fighting for the place of the AMERICAN MUSTANG.

When a Midwest town learns that a corrupt railroad baron has captured the deeds to their homesteads without their knowledge, a group of young ranchers join forces to take back what is rightfully theirs. They will become the object of the biggest manhunt in the history of the Old West and, as their fame grows, so will the legend of their leader, a young outlaw by the name of Jesse James.

A stranger attempts to murder the sheriff of a small town. Quickly he realizes that his plan has some flaws.

A bandit in the old west is set up by his friend and thrown into prison. Five years later he escapes and returns to town set on revenge.

After a rare Native American artifact falls onto the black market, a shy waitress with big dreams teams up with a lovelorn military veteran to gain possession of it, putting them in the crosshairs of a ruthless criminal working on behalf of a Western antiquities dealer.

Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.

Two missionaries witness a murder by hired guns and go on the run. They stumble onto the cabin of two retired contract killers who agree to help the women find safety, but only their guns can secure that promise.

John Williams must swallow his pride to partner up with an ex-friend in hopes of tracking down those responsible for murdering his family.

Some time after the Mousekewitz's have settled in America, they find that they are still having problems with the threat of cats. That makes them eager to try another home out in the west, where they are promised that mice and cats live in peace. Unfortunately, the one making this claim is an oily con artist named Cat R. Waul who is intent on his own sinister plan.