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Movie· 2016· Released

Abduct

tmdb
ThrillerMysteryScience Fiction

A Texan paranormal radio host, Ridley Kay leads a fairly ordinary existence, until a strange orphan with a tragic past comes crashing into his life. Convinced other-worldly forces are after her, Kay attempts to protect the young girl from an onslaught of deadly alien and extra-terrestrial phenomena. However, as the strange lights continue to stalk her, he discovers the world of the paranormal might be far more sinister than anyone has possibly imagined.

Provider ★ 3.2·0 tracking
Movie· 2025· Released

Abductee

tmdb
HorrorScience FictionThriller

Abductee is a chilling "found footage" film set in the outskirts of Portland, Oregon. Terrifying in a way that few other horror films are, Abductee explores the bizarre and misunderstood world of alien abduction. Through a first person account, we come to know the fear and mental anguish that befalls a man as he attempts to unravel the mystery of what happens to him when he is alone in the middle of the night. Drew hasn't been sleeping very well. On numerous occasions he awakes suddenly, completely unable to move, a victim of a common, but terrifying disorder called Sleep Paralysis. After suffering from this condition for many years, Drew finally decides to take matters into his own hands and capture his nighttime episodes on video, in order to find out exactly what he is experiencing while he is frozen in his bed. With money inherited from his recently deceased father, Drew purchases an array of surveillance cameras and microphones and mounts them around his house in order to ...

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Movie· 1992· Released

Abdulladzhan, or Dedicated to Steven Spielberg

tmdb
ComedyScience Fiction

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

Provider ★ 6.1·0 tracking