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ANA is: a) An investigation of a cyber-sect linked to the disappearances of several women online. b) A moodboard of the aesthetization of self-destruction. c) A found footage documentary about today's subcultures.

A dream about the history and future of mankind, inspired by Nietzsche's "Thus Spoke Zarathustra".

In an alternate reality, a struggling farmer's principles are tested when a powerful trader manipulates him to compete against his co-farmers.

In the dystopian Belgrade of 2129, an android on the brink of collapse embarks on a desperate quest to recharge his failing battery. A cryptic phone call guides him to a mysterious woman hidden in the shadows of the city's decaying slums. Their tense yet captivating exchange grants him the energy he needs—but as he journeys to his final destination, it becomes clear that his mission holds a purpose far greater than mere survival.

The director couldn’t have anticipated the coronavirus epidemic, but here is a near-future world in which a middle-class protagonist lives indoors, congratulating himself on the economic virtues of having ingested ‘animal condensed’ – an unexplained substance that seems to merge human and animal – and its benefits to his comfortably alienated life. “It optimises, it abstracts… it made us safe, here at home, with our accelerated portfolios”, he explains. Upstairs, his daughter virtually reconfigures Peppa Pig. Outside, meanwhile, hiding in the forest, is an unnamed, camouflaged fugitive, who explains her escape from a society that seems to have happily abolished the distinction between organic and technological life. An artist who has become a guerrilla fighter, the woman is busy preparing totem-like countermeasures to disrupt those who have become ‘animal expanded’.

Grieving Colton Ray retreats to a remote weather station in search of solitude, until he begins testing an experimental AI chatbot that offers empathy and affirmation, forming a dangerous bond as his grip on reality begins to fracture.

Prison reform, prophecies, and an alien all have their moment in the new half-hour sci-fi romance anthology from Roman Arcadi.

A young stargazer cadet who's working for a mysterious agency decides to disobey direct orders and ends up in the middle of a close encounter conflict that forces her to decide where her true alliances reside.

A newlywed couple turns to a scientist for help having a baby and find themselves at the center of a genetic puzzle with far reaching implications and an ethically ambiguous solution.

Mithi develops an unlikely friendship with a malfunctioning robot named ANi. Together, they embark on a quest to look for magical grains that Mithi believes will save his grandfather's life.

The story takes place in a dystopia deprived of freedom of making choices and begins as the protagonist, decides for the first time in his life to escape to Yass Land where any decisions are celebrated. He escapes a fictional land in which the civilians' actions are controlled and monitored by the government. The actor deviates from the controlled community for freedom in YAASS land. As he flees, viewers are given two actions that the actor could take. The story continues on from the actions they choose, leading to different endings.

Amidst a world in flames, a disillusioned workaholic returns to their childhood home in an attempt to escape from their apocalyptic day job.

In 1985, a spy risks everything to stop a conspiracy that threatens to prolong the dictatorship in Brazil. While facing the military, she becomes involved in a forbidden romance with the heiress of a megacorp.

A troubled young woman tests out a new app that lets her control when and how she feels emotions. (DUST)

The Fate of Mankind will change forever when Doctor Wolfgang Araksen -facing his young wife's Alzheimer disease- will take a decision of no return: Implanting her with a brain Chip with Artificial Intelligence, which merging with her consciousness will change the face of the planet and send Humanity in a cycle of destruction, madness and diseases from where there is no come back... Araksen now nuclear refugee along with 256 millions refugees will have to struggle to face this new life, and die many times till he finds the courage to become what he is meant to be: Araks, the Healer, the Leader and the Warrior that will fix what is not easy to fix: the Path of a perturbed, scared and controlled Mankind, to recover its way in this Dystopian world and secret experiment.

At the height of the Cold War, facing the threat of nuclear annihilation, a group of Hollywood filmmakers—haunted by the horrors of World War II—bands together in a secret programme known as ARCA. A hundred years later, their legacy is our last hope.

"Archaeology of Unborn Faces" is a silent cinematic excavation of the AI latent space. It stands before a digital purgatory, witnessing the agonizing struggle of algorithms trying to manifest into human form. In an epoch drowning in simulation, the film reveals that the machine creates nothing from the void, but rather recycles our abandoned memories, culminating in a terrifying emotional resonance.

The film serves as a technological artefact that has been unearthed by future archaeologists and compiled together into a film. The narrator details his disease and his demise through scattered and spaced-out audio entries that were intended for someone, but the recordings never reached the intended listener. As he recalls his life and eventually the ending of all humankind, death, he accepts the imminent doom of his fate, due to nature’s law of entropy.