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Movie· 2017· Released

A Crime

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CrimeComedyAction

A murder takes place in a suburban high school. A mentally defective detective Delgado Rodriguez and his partner, the German ex-soldier-veteran Stilenacht, begin a wide-ranging investigation. The comically hapless duo go undercover, roaming the halls among the students, looking for clues. They have no idea what they're getting themselves into. Nothing is certain in this case. The film is full of pop-culture references and allusions, relentlessly peppered with corny puns that sometimes become an integral part of the plot and story. The film takes a similar approach to the mixing of genres; the crime film premise crosses into the realms of fantasy and horror in the course of a plot that is often self-contradictory.

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Movie· 1928· Released

A Daughter Of Destiny

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DramaFantasyScience Fiction

Hanns Heinz Ewers' grim science-fiction novel Alraune has already been filmed twice when this version was assembled in 1928. In another of his "mad doctor" roles, Paul Wegener plays Professor Brinken, sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions -- least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself. Alraune was remade in 1930, with Brigitte Helm repeating her role, and again in 1951, with Hildegarde Knef as the "heroine" and Erich von Stroheim as her misguided mentor.

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Movie· 1972· Released

A Day in the Life of Willie Faust, or Death on the Installment Plan

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Fantasy

Jamaa Fanaka’s first project plays off the Blaxploitation’s genre conventions, an adaption of Goethe’s “Faust” presented with a non-synchronous soundtrack and superimposed over a remake of Super Fly (1972). Often out of focus with an overactive camera, the film immediately exudes nervous energy, but unlike Priest’s elegant cocaine consumption in Super Fly, Willie’s arm gushes blood as he injects heroin. A morality tale in two reels. —Jan-Christopher Horak

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