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The music producer Molécule stayed in a village in Greeland, where he recorded the sounds of the Artic to compose music. The viewer follows Molécule in his adventure in the extreme North, in a sensorial and musical immersion.

It's early morning, minus 40 degrees and coal black outside when the phone rings at the substitute teacher Paul in northwest Canada. On a bicycle he makes his way to the workplace.

Film by Kenji Onishi. With friends. Mr. Yamase as main character, Sasakubo and Shinojima. And the girls having a good time. The camera is all you need. Looking still at the Mt. Buko which is disappearing.

After an apocalypse eradicates almost all life, an entity finds a film highlighting some good humanity has done.

The staff of the workers' canteen of V. Klementi sewing enterprise make an effort to prepare food every day despite the deteriorating machinery and defective produce.

Short documentary covering the 2001, 10th anniversary screening of Richard Linklater's 'Slacker' in Austin, TX

Far away is where you don’t want to go, ERT3 captures the offering of the Aegean Team to the border islands. There, where the sea connects and volunteering becomes a journey of life. 450 nautical miles, 5,525 medical examinations, 18 specialties, 132 volunteers. There, at the edges, where the scream of the islands meets the whisper of humanity. There, between need and the human being… a road to the sea!

A feast of cover versions of Bob Dylan songs from the BBC archives, with classic tracks old and new and some surprises from the 1960s to the present.

Bruce Lawton discusses Buster Keaton's The Blacksmith (1922), a film that Keaton had dismissed as a "lesser" work.

A film about Stora Sköndal in Sweden where future deacons are trained and educated.

A documentary that tries to understand women. About how a hard-working Soviet woman may not achieve the so-called bonus points in sex life.

The unemployed businesswoman Elke in Golzow, the geriatric nurse Karin in Wuppertal, the first teacher of the class, Marlies Teike, and Gudrun, the former mayor of Genschmar, as well as their father, the long-time LPG chairman of Golzow. In the fourth part of the irrevocably last film about the children of Golzow: the agricultural machine fitters Bernhard and Eckhard and Dr. Manfred Großkopf, managing director of the Landwirtschafts-GmbH Golzow, which emerged from the LPG. His epilogue recalls once again a reunion of some of the former pupils at the kindergarten's Buddelkasten on the eve of the 1st anniversary of German reunification. Accompanied by a song from the Golzow school, which wants to call itself "School of the Children of Golzow" in the future, the camera leaves the village and reaches the Oder River with aerial shots, which flows through the wide plain of the fracture towards the sea.

The film reports on the return of Soviet units from Czechoslovakia (CSSR) to their stationing areas in the GDR. It depicts the reception by the population of the GDR.

Russian Federation Duma deputy Omar O. Begov, when asked if Stalin can be put on the same level as Hitler, is offended. He says: Poland should be grateful to Stalin that it was separated from other countries, that it became independent. Truman, Churchill and others wanted to divide her like Germany. Stalin insisted that the Republic of Poland remain independent. Most Russians think similarly - if they think about it at all. Some, however, like historians from the Memorial Association, are uncovering the horrifying truth about the methodical, multi-stage extermination of Poles that began on Stalin's orders in 1934.

Eva Skerstrupp, night nurse at a hospital, 39 years old, raised in a children's home, once divorced and now widowed. She is raising her eight children alone, the youngest of whom is two years old, the others between 13 and 19. Family life is portrayed in small snippets of everyday life.

It was close to work. The situation of Dita, who found herself prematurely and unnecessarily at the end of her life, and only because of her doctor. An intimate reflection not only on the relationship with the doctor who signed Dita's death warrant, but above all on past beauty and wishes. Footage from between the pillows with an awareness of one’s last few days in the context of the issue of oncology as a moneymaker.

A reflection on education and an ode to the bonds that are formed by students at, (and in spite of,) the institution they are studying within. By weaving together footage from the 2021 anti-racist occupation of the Slade School of Fine Art with scenes from the install of the art school’s class of 2020 degree show, the academy emerges as a site of frustration as much as of achievement. Running over both events - , from the final touches of varnish being put on a painting to protest banners being unfurled across the building, - is text from former Slade student and tutor Christopher Kirubi’s poem ‘… - then love is the name’.