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Can a clinical method to accelerate emotional intimacy begin healing the social rifts exposed by the 2016 Presidential Election one conversation at a time?

The story of a small hairdressers on the outskirts of Kyiv, which goes into repairs to get rid of Soviet aesthetics. The place is still open while under construction. The staff are saving the furniture from the dust using depreciated historical artifacts, the flags of the Orange Revolution. The visitors come hoping to leave the place with a new image and share absurd stories of their lives. Nobody doubts these confessions, same as nobody notices the chaos, noise, and construction dust.

Using real world locations in Essex, "(study for) Swedge of Heaven" explores liminal, transitional, and peripheral spaces and realms, navigated by a reanimated rave mascot and a wooden Neolithic fertility figure. Although from distant moments in history, the protagonists are both figures indicative of ritual gathering created by Essex communities. Within the work the figures hover in cultural/historical flux, a state of simultaneous belonging and alienation as they pass through and around places seemingly suspended on the edge of conventional time and space.

Richard Forbes-Hamilton's "(third study for) Swedge of Heaven" explores themes of liminality, transition and reanimation around locations of ritual gatherings in Essex. Starting in an edgelands underpass, we come across a Neolithic fertility figure and a rave mascot beating a drum with glowsticks. Employing 3D models of real-world sites alongside computer-generated actors, the film hovers between neon and natural worlds.

“The surface of a thing is not part of it. Thus the surface of water does not form part of the water, nor does it consequently form part of the atmosphere. Then what divides water from air?” To Leonardo da Vinci’s question, the poet Daniil Charms answered: "The water is like a wheel."

Joshua Gen Solondz assmbles footage shot around the world over the past decade and manipulates it into a blurred compendium that privileges darkness and abstraction over the picturesque to an intense, strobing degree.

(UN)VEILED introduces the audience to ten Muslim women from various backgrounds who now live in Dubai, United Arab Emirates.

A witch appears in the south of the city, recites a poem, performs a spell and vomits the world.

Ron, the filmmaker’s father, has a brain injury that affects his ability to situate himself and retain memories. Upon realising that her father no longer recognises her, the director decides to turn her father’s notebooks into a film that plunges us into the complexities of memory and the brain, full of creativity, humour and tenderness.

Travel log of Sasawat Boonsri

The layering of memories of four witnesses takes shape as a self-ironic fossil of a town disappearing under the weight of coal mining. When home falls, what is it that we wish to preserve?

Shot in front of 200 audience members, this show features interviews with members of the band on their professional interests outside their music careers in this holiday special.

The Making Of Bye Bye Bye with boyband sensation *NSYNC

Justin, JC, Lance, Joey and Chris invite you to join them in the adventure of a lifetime. Hang out with *NSYNC while they go on tour, visit radio stations, and shoot their music videos.

Part of the Disney Channel in Concert series, this TV Special features both in-park concert footage and off-stage interviews with the band members, launching NSYNC into United States stardom.

*NSYNC's Making The Tour is a sneak peek into the creation of the group's highly successful No Strings Attached Tour, from set design to rehearsal, featuring footage not seen in the original MTV broadcast!

The relationship between a man and his life-size AI-animated doll is explored in this moving documentary. A clear eyed and open hearted take on machine learning and loneliness, in an age of algorithmic dating apps.

Documentary that presents the testimony of 12 Mexican women and their relationship with their private parts. Between descriptions and humorous anecdotes, the interviewees reveal aspects of their relationship with their bodies and reflect on female sexual repression.

Having just arrived in Germany, the filmmaker’s narrative voice searches for the meaning of life.

Pol is 21 years old and lives with his grandmother. He dreams of living in Miami and generating over $10,000 per month. He attends personal development events, follows online coaches, and invests in cryptocurrencies. Pol doesn't know when he'll achieve his goals to become the best version of himself. The only thing he knows is that one day, he will.

A small film crew conducts a survey on sex, dating apps, and loneliness in a modern world.

What does it mean to be sitting among your children and grandchildren, your wife and daughters around you, while the children play inside and outside a tent—and suddenly, a single missile weighing a ton or more falls upon you, erasing every detail of life and turning it into ash and blackened land? From here, our documentary film begins—to tell the story of life before the life of that family.

An unsettling look at a group of young people that seem to linger in a kind of perpetual twilight, while playing and getting high. Like dancing on the brink of an abyss that stares defiantly at you. A film that moves from being observational to being abstract and sensorial. The revelation of a unique talent. Precise, powerful, with a touch of techno.