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A short documentary film about Miki Lee Trajchevski, a homeless person from Macedonia, who speaks 6 languages, lives by rules of Bruce Lee's philosophy and claims that has encounters with aliens.

The unforgettable energy of the 2024 (G)I-DLE WORLD TOUR [iDOL], which mesmerized fans across 14 cities, is coming to the big screen! Experience the magic of their Seoul concert, the grand kickoff to this electrifying tour. Experience iconic performances of hits like Super Lady, LATATA, Queencard, and TOMBOY, paired with a perfectly curated setlist and breathtaking visuals.

Documentary about the life of six sons of disappeared parents during argentine dictatorship between 1976 and 1983.

At sixty life only begins, at thirty it's already half over! The thirtieth birthday, the day when the two is replaced by the three, is a dreaded date: Now heads must be nailed down!

A video is a stream of information, and this moving image relies upon the relationship of static frames, which are algorithmically determined. In the language of video compression, the (I) frames are the reference points between which movement is interpolated. Manual deletion or misplacement of (I) frames results in a video glitch known as a datamosh: the stream of nformation d srupted, d sorgan zed … nterupeted … lost … the ( ) frame removed, rejected … BUT, reclaimed, the (I) frames, the burning bolts of the machine, are at once reasserted in this dance macabre ... (I) FRAME is a mechanical ballet set to the original tempo that characterizes motion on screen at 24 "(I) frames" a second...

The piece is a reference to Yves Klein’s work Anthropometry, in which the artist used naked women as ‘human paintbrushes’, creating paintings that were results of elaborate performances in front of an audience. To Klein, the female figure was the canon of human proportion, an anthropometric symbol that he described as “the most concentrated expression of vital energy imaginable”. The same blue colour used by him (International Klein Blue IKB) is used by Marcy Petit as she becomes a human paintbrush too.

Words taken from lines of Nada Gordon's unrequited love poems, whose sentences are taken, in their turn, from anonymous web poems, reveal a history of sexuality.

What happens after death? Lila Ribi's 100-year-old grandmother Greti always has the same answer: There is nothing after death. The filmmaker sees things differently.

Today, liberated Kherson experiences constant shelling from Russian troops, making it perilous to open the theater's doors and welcome people inside. The theater stands empty, or so it appears.

(In)Visible Portraits shatters the too-often invisible otherizing of Black women in America and reclaims the true narrative as told in their own words.

Women who are HIV-positive discuss how they "came out" about their infection and became politically active.

On July 2nd, 2008, at five thirty in the afternoon, a 53-year-old man called Jean-Michel was run over by a train in Saint-Lyé, a town with a population of 3,000 located in the east of France. No one knew whether it was a suicide or an accident. The director investigates around the town, asks different inhabitants what they think of that tragedy. For many people, Jean-Michel had killed himself, after amassing too many worries and problems; the more the voiceover asks, the more mysterious it all gets. But there is a detail from Jean-Michel’s life that connects him to Argentina—he had been an employee at a phone company until a privatization left him without a job. (In)Voluntary Retirements is a documentary that shows how the kinship between Argentina’s politics in the ‘90s and France’s twenty years later damaged the lives of so many people.

"Greater is the hatred that has inspired us, than the sea that separates us from it" reads one of the most significant sentences of Simón Bolívar's Letter of Jamaica. The work revolves around this phrase, whose words appear and disappear in the course of the sequence of images, disjointed from the cohesion that brings them together only at the end of the video to form that programmatic declaration that defends independence. The sentence is thus evidenced as a procedural symbolic knot, the result of a complex history and its possible articulations. The images of the video, in a constant swaying of a boat in the water, open up to the dimensions of the immensity of that sea that serves Bolivar as a metaphorization of the magnitude of the hatred that forces him to revolt against the colonizers. It is a sea in which is inscribed, in turn, a new history, which, as a possible reading, forces us to think of other colonizations and economic dependencies.

"(In)fidèle" explores the relationship to fidelity of 10 people between the ages of 23 and 31. Infidelity is like the elephant in the room no one dares to talk about. It fascinates and sparks curiosity, but digging too deep might hurt. We keep it at a distance as long as we’re not personally involved, yet we indulge in gossip and "story times" when it’s about others. A distant way to either judge it or spy on it, but never truly confront it. And yet, the numbers speak for themselves: 41% of people have already been unfaithful at least once in their life, and that number keeps growing every year.

A young actor is stabbed to death just days after filming his big break in the Harry Potter franchise.

Being mother is the most natural thing in the world. Or so it seems. Yet the demands on women with children have rarely been as overloaded and contradictory as they are in today’s Western world. Promises of happiness are often followed by disadvantages, excessive demands and feelings of guilt. The mother has become an artificially glorified ideal, which nevertheless is often legitimized by the „nature of the woman“. We live in a time when three people could claim to be the same child’s mother: egg donors give their genes to beget children, surrogate mothers deliver babies which they give away immediately after birth, and men raise children by themselves – without a woman at their side. Hence the question arises: What makes a human being a real mother?

A look at the creation of “evangelion: Another Impact.”

A film about a zookeeper and his renewed relationship with his estranged daughter is fragmented and interrupted by the filmmaker’s own voice, reading an email to his sister about the roots of this story in their own shared history with an absent father. Through memory, dreams, and fiction, (No Subject) probes the various ways of representing the past in order to process and break free of it.