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"I would make my new animation with my New Year's cards, and my New Year's cards with my new animation." (Source: Maya Yonesho)
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1000 titles

"I would make my new animation with my New Year's cards, and my New Year's cards with my new animation." (Source: Maya Yonesho)
Co-directed with the painter Shigetaka Sawada, the film was made in 35mm and screened at the 2nd Sogetsu Animation Festival in 1966. (Source: Collaborative Cataloging Japan)

An ordinary college girl is sucked into the frenetic job hunting, where all her friends dive into with dog-eat-dog vigor and crazed ambition. A potent look at one of Japanese social phenomenon with a dose of black humor. Graduate Work 2012, Tokyo University of the Arts, Graduate School of Film and New Media. (Source: Geidai Animation)

An experimental work created by UrumaDelvi in 2005 and screened at several film festivals. The UrumaDelvi and Productions Inc. company later released it on DVD in 2006.

Official music video for Porter Robinson's song Easier to Love You.

Music video by AC-bu for the song New Tribe by Japanese experimental electronic artist Powder (Momoko Goto) from her album "Powder In Space".

A collection of tender and seemingly unconnected episodes of sparse dream-like animation. The first episode features a train dropping a pudding onto the tracks...

A station ID by Naoya Hirata for MTV ULTRAHITS.

A station ID by Kanta Mochida for MTV ULTRAHITS.

Music video directed by Kouhei Yoshino for the song Sizq by Japanese instrumental band NETWORKS that was included on their album "Dynamic Nature".

Another follow up film for Timbre A-Z.

Music video for the song Stoning by Lee Juck feat. Jinpyo Kim.

Music video by VJ Akashic for the song Technology Shamanism by JunxPunx.

Official music video for Her Ghost Friend's song Houkago no Thesaurus.

Music video for the song Maware Migi, Nigerunda by collaborative unit mishmash*Julie Watai. The same video was used for the English cover of the song titled Do a 180 released on the same day. The video was made by Yoriko Mizushiri and Marie Matsunaga.

Directed and key animated by Yukiko Kai, music by Urban Garde. Graduation work in Tama Art University Department of Graphic Design.

Music video for the song Mad Popcorn World! by Korone Inugami.

A short animation by Ryoji Yamada combining dreams and pictures.

Ordinary life repeats itself every day. The succession of moments that we repeat over and over again is never the same, and everything changes and wavers. The moment we touch something, our consciousness can go to a place that does not exist anywhere in the past, nor in the future. In an uncertain and fluctuating world, only the feeling of the body touching something, which exists only in this present reality, can be recognized as "now". That moment is lovely. (Source: Berlin International Film Festival)

Inspired by Katsuhiko Kamimura's Myths of India, a collection of short stories on Hindu mythology, Mukashi no Yama tells a poetic and humerus tale about mountains that could fly. When they fell to the ground, the earth shook with a great sound. (Source: Official Website)

Music video directed by Takashi Taniguchi for the song Kuku★Nenbutsu by Japanese rock band 88Kasyo Junrei that was featured on their fourth studio album "0088".

Official music videos for Nishinakajima Kinako's 1st album "Mizu no Naka no Suisougaku." This includes the song Instant and QB House, the music videos aired on Space Shower TV.

Music video directed by Saigo no Shudan and Tomomi Hayashi for the song timeless tree by Japanese jazz and rock musical duo EGO-WRAPPIN' from their ninth studio album "Dream Baby Dream".

Azuru Isshiki’s animated short An Instant, pares the art of animation down to its essentials: A series of images drawn in paint on paper. It begins and ends with a small dot, but in-between Isshiki explores the full range of expression possible with just simple animation tools. The film consists of just black and red paint on a variety of different papers. Dots, lines, and spirals dance across the screen, as does a cheerful female figure. (Source: Nishikata Film Review)